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Perry Tannenbaum reviewed Sarah’s work nebulous reverence for CNVC.org: “…her new work, which has comical and satirical overtones despite the black unisex costuming and Ingel’s explicit intent to project chaos. The three dancers deployed t

Perry Tannenbaum reviewed Sarah’s work nebulous reverence for CNVC.org:

“…her new work, which has comical and satirical overtones despite the black unisex costuming and Ingel’s explicit intent to project chaos. The three dancers deployed to intensely watch the other three, in the most memorable episode, share a bowl of popcorn as they behold the chaos, before spilling the remainder of the popcorn in their excitement. While you or I wouldn’t describe such reverence as nebulous, it was hard to argue with Ingel’s idea.”

To read the full review of Charlotte Ballet’s Choreographic Lab 2022, click HERE —> 🍓

Sarah was awarded a 2021 ASC Emerging Creators Fellowship and interviewed by by Michael Solender: “For Ingel, the power of dance is transformative. ‘I love when a performance leads me to a different way of thinking, moves me to tears, makes m

Sarah was awarded a 2021 ASC Emerging Creators Fellowship and interviewed by by Michael Solender:

“For Ingel, the power of dance is transformative.

‘I love when a performance leads me to a different way of thinking, moves me to tears, makes me lean forward or dance along in my seat,’ she said. ‘It’s amazing that we can all experience the same piece so differently based on who we are and how we bring ourselves to the performance.’”

To read the full profile, click HERE —> 🍉

Sarah directed and edited music videos for Good News and Epochs for Dylan Gilbert’s visual album I’ll Be the Lakebed . To read Queen City Nerve’s full review of the album/videos, click HERE —> 🥝

Sarah directed and edited music videos for Good News and Epochs for Dylan Gilbert’s visual album I’ll Be the Lakebed.

To read Queen City Nerve’s full review of the album/videos, click HERE —> 🥝

Sarah choreographed, performed, and directed a music video for the track Good News from Dylan Gilbert’s visual album I’ll Be the Lakebed . Simon Clark from TheAUReview.Com: “…captures the single’s underlying melancholy and message neatly.

Sarah choreographed, performed, and directed a music video for the track Good News from Dylan Gilbert’s visual album I’ll Be the Lakebed.

Simon Clark from TheAUReview.Com:

“…captures the single’s underlying melancholy and message neatly. The figure is buffeted by the endless barrage of the twenty-four hour news cycle, whilst also trapped within its pull. According to Ingel, ‘The video is about being trapped in a cycle, fluctuating between numbness, fear, pain, shock, and anger. With so much going on, we can become consumed by the daily barrage of terrifying images — but we have to break the cycle, be “Good News” and fight for a better future.’ In 2020 that message perhaps couldn’t be more pertinent. Break the cycle, enact change – even if it’s just on a personal level.”

To read the full review, click HERE —> 🍏

“…Ingel tosses a hand grenade onto the stage and blows everything up. one hundred ways to say no plunges us immediately into a maelstrom of sound and strobe light, it’s opening sequence an infernal call to arms. We’re on Ingel’s terms now, and

“…Ingel tosses a hand grenade onto the stage and blows everything up. one hundred ways to say no plunges us immediately into a maelstrom of sound and strobe light, it’s opening sequence an infernal call to arms. We’re on Ingel’s terms now, and quite possibly in another dimension. This isn’t narrative, it’s pure incantation. Ingel is burning herself at the stake and signaling to us through the flames. It’s a devastating way to start a performance.”

“… a brash achievement by a brilliant creator.”

To read the full review by Matt Cosper for Queen City Nerve, click HERE —> 🫐

keeping up with the choreographers

Sarah’s work one hundred ways to say no was featured as a part of Charlotte Ballet’s Youtube series Keeping Up With the Choreographers. “Keeping Up With the Choreographers take viewers inside the studio as dancers become the choreographers. Follow their process and see their work culminate in our last performance of the season, Choreographic Lab.”

Awards